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For Sony Alpha 7S, 11 customer reviews collected from 1 e-commerce sites, and the average score is 3.7.

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28.3.2015

The reviews of this camera on Amazon are quite brief, so I thought I would put together a more detailed one. Overall I think it is a really good camera, but there are some very inflated claims for its abilities, and it doesn’t quite live up to all the hype. To be honest, I would forgive some of its shortcomings if it were priced a little bit lower, but considering what other cameras are available in this price-range, I would recommend thinking very carefully before buying one of these.I seem to be a bit unusual in that I bought this camera for still photography and not for video. It is very good for video, but I am not a skilled videographer so probably not the best person to review it on that dimension.I purchased it specifically for low-light situations as a large proportion of my photography falls into this category. I shoot low-light landscapes and cityscapes using a tripod, low-key portraits using flash, and concerts/performances: it is the latter category that I wanted this camera for as you need a relatively high shutter speed and flash is strictly forbidden in live performances. My current set-up is a Nikon D610 combined with a Sigma 70-200mm f2.8, which is a large, conspicuous and heavy combination. The D610 is fairly good when you raise the ISO, certainly better than any other camera I have owned until this point, but for dimly-lit venues you have to go a little higher than I am comfortable with (i.e. over 3200). If I wanted a low-light performer from the Nikon range, the options would be the D4S at over £4k (no chance) or the DF which usually retails for around £2k, but has a peculiar retro styling which does not appeal to me. Interestingly some reviews compare the A7s to both of these cameras for low-light/high ISO performance, and either rate it as very close or possibly better in some dimensions. So after some deliberation, I decided to take a chance on the A7s. I also purchased the Sony 70-200mm f4 lens, which was the closest equivalent lens to the 70-200mm f2.8 that I use with my Nikon.Starting with the good stuff, I really like the feel of this camera in my hands. It is quite a bit smaller and lighter than a DSLR, and is only conspicuous because the Sony lens is white which makes it look like a Canon lens from a distance. I found it really easy to set up, and the controls were intuitive without the need to consult the manual (which I did not find to be a very helpful document). The controls are in very intuitive places, with front dial to adjust aperture, rear for shutter speed and ISO adjusted by the rear control dial you use for scrolling. This is quite easy to move by accident, but that has only happened a couple of times. There is also a dedicated dial for exposure compensation. I find this an easy and intuitive combination so that you can adjust the settings without taking the camera from your eye.The ISO does indeed go way higher than anything I have used before, but really the high settings are just a gimmick: you get poor quality, grainy images that you could never use (at least I would never use them). The only purpose I can see for them is that if you wanted to take a low-light image using a long exposure you could first bang up the ISO and get a rough image pretty quickly which would enable you to decide if the composition of the shot works before going further. Now this is the positive section, so with that in mind I will state that this camera delivers useable images at a higher ISO setting than any other camera I have used. I’m quite happy to go to 6400, or maybe even 8000, but both of these settings need some noise reduction in post-production. If you use auto-ISO, the camera goes to 12800, which implies to me that Sony would consider this the highest useable setting. Personally, I find that I’m not happy with the images I get at this setting because the level of noise reduction needed results in softer images than I like (there is always a price).There is a pop-out rear screen, which come in handy for shots which you want to take from a high or low angle. I do a fair few of these, which would otherwise involve me crawling on the ground or shooting blind, so I like this feature. There is a silent shooting mode, which really is silent. This is fortunate as the normal shutter action is quite loud, so for things like quieter concerts and other live performances this is great for not annoying the audience (another gold rule alongside no flash). Some reviews say this reduces image quality, but I have not used it enough yet to really comment on how much of a problem that is. The sensor is only 12MP, which you could see as positive or negative. Personally, I don’t have a problem with this, and I quite like the fact that the files are fairly small and easily processed on my fairly humble computer. Also, when in continuous shooting mode, it can keep going as the small files do not clog the buffer: not tested it to the limit yet, but it certainly keeps going for longer than my Nikon. However, if you like to print larger than A3 or if you like to crop a lot, this would be a problem.I find the metering to be very reliable. I have found Nikons to over-expose in a number of situations (especially the D7000 which I owned for three years). The A7s has an electronic view-finder, which means the image you see is more or less what you get. I tried adjusting exposure in a concert with the camera to my eye just basing it on how the image looked through the viewfinder, but I found that the stills I took this way tended to be under-exposed – not a deal-breaker, but something I need to take into account next time When shooting in good light, I am quite happy to put the camera in manual mode with auto-ISO: in poor light it is not so good, so back to full manual and an array of test shots.Now the bad points. The biggest flaw with this camera is the auto-focus system. Yes it focusses in low-light, but the focus speed is really slow and not that accurate. Even with single point auto-focus, the focal point covers quite a large area (compared to my Nikon), so pinpointing a single eye can be difficult. The continuous auto-focus works, but not that well because it is too slow to use with a rapidly-moving object so this camera will never do for anyone who wants to shoot sport. If you take your time with focussing, and the subject is not moving (at least not too quickly), you can still get really precise shots. But if you need rapid auto-focus, this is not the camera to buy. Also when you take a photo, the image freezes in the viewfinder for a little bit too long for my liking (although it may be possible to turn this function off – need to check this out).Second is the hugely-vaunted high ISO performance. Yes it goes higher than anything other than the very top-end DSLRs, but the high settings deliver poor quality, grainy images. Digital cameras are better than any film camera in this respect, and the latest generation are enormously superior to early digital cameras, but the reality is that the technology still cannot deliver really clean images at very high ISO. When I have showed other photographers the shots I get at ISO 12800, they have all tended to comment that they expected them to be less grainy. Rather than delivering sensors that can go to silly ISO values that nobody would really want to use, the challenge for manufacturers should be to deliver really noise-free images at setting up to 12800, which I do not think anyone has done yet.They are the only criticism I want to make. However, some of the claims made in the more positive reviews which claim that this is the camera that will make the DSLR obsolete need to be put to rest. One of the more ridiculous suggestions was that this camera will herald the death of flash photography. This is just silly as correctly exposing in poor light by raising ISO will never give you as clean an image as keeping the ISO down and putting in more light. Another review claimed that the image quality of the A7s rivals that of a medium-format camera, and leaves most DSLRs behind. I really cannot see any justification for this claim, and when I compare the images from this camera to those from my Nikon D610 (which is around £400 cheaper to buy), I think the Nikon edges it every time. Not that the A7s is poor, because it is genuinely very good, but putting the two side by side makes me realise just how good the image quality from the D610 really is (even with third party lenses).So overall I am giving it four stars. I like it very much, but for this price I would have liked a better autofocus system, particularly as I understand that Sony have a one in use on the cheaper A7. IMHO the camera is very good, but over-priced: however, if I were more seriously into video, I might consider the price justified.
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20.7.2015

Pros:• Very detailed out of the box 1080P video at full-frame 35mm sensor size so you get much shallower depth of field than standard film super 35mm size. It makes the 5D2 and 5D3 video look like SD because of how good it is. It's up there with C300 detail.• Very beautiful stills. There's just something about the quality of them that looks really good. Some reviewers online have said they have a medium format quality to them. That might be because of the great dynamic range. Low shadow noise maybe.•Silent shutter is an amazing feature.•Using just about any lens is a great selling point.•Small raw file sizes for stills is actually a breath of fresh air.•Incredible dynamic range in stills and video (especially with Slog2)• The king of low light for video.Similar to other high-ISO cameras for stills at similar output resolutions (ie, if you scale other raw stills down to 12MP at high ISO, some cameras look similar).•4k mode out to a Shogun is incredible. So detailed. But the 8-bit is still a bit of a problem for grading, which is a shame.•Metering is very good, especially with the easy-to-access dial on the top. Makes shooting in auto a real option.•Smooth auto-ISO ramping makes for easy ramping from Indoors to Outdoors for video if you don't have clickless aperture lenses.•Rear screen is nice and high-res.Cons:•You burn through batteries very quickly.•Compatibility with EF lenses and the Metabones IV adaptor that Sony supposedly worked with Metabones on is terrible. Sometimes the camera won't turn on, sometimes it just doesn't recognise the lens and give you aperture control. It's a pain. Native E-mount and dumb lenses will be fine though.•Ergonomics are not so great.•8-bit 4:2:0 isn't that great for grading video, especially when the colour space is already stretched super thin in lieu of greater luma range for SLOG2•The raw stills are not true 14-bit lossless, but rather 11bit with 7delta bits... It's lossy compression and you can notice it if you push the files or look too closely. There's been a lot written on this online. It's a pity there's not an option for lossless that just fires slower.•Mini HDMI connection even with the add-on locking plate can be a bit fidgety, but it's a huge step up from no locking attachment.•Lots of rolling shutter. Less in super 35 mode, but then you sacrifice 4k (it upscales 2.8k to 4k if you want 4k out in S35 mode).
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8.5.2015

I have had this camera for about a year and it is superb. I rarely use it for video - it has no in body stabilisation and even if the quality is superb, it isn't smooth unless mounted in a tripod. My Oly EM1 is loads better on video with its 5 axis stabilisation....albeit it doesn't do 4K.The focus is fast and reliable even in almost complete darkness. The ISO is useable up to about 80,000. I use the camera mainly for astro photography where it excels. No problems whatsoever starting ISO at 3,200 when night shooting and even 6,400 for star shots.The real value of the super high ISO is to frame your shots when you simply can't see in complete darkness. My friend,shooting with his Nikon D800 was amazed at this and loved the clarity of being able view the picture taken in the viewfinder in lovely detail.The camera is great with manual focusing lenses due to the focus peaking.If this camera had the Oly 5 axis IBIS it would be amazing - the A7ii has it and no doubt the A7s II will.It's an amazing low light camera. Probably the best. Contrary to the first reviewer I find the auto focus works even without focus assist even in complete darkness. It is also very good in daylight with lovely rendering and colours.I really enjoy using it and have no regrets buying when it first came out.
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15.12.2014

Quite an amazing camera. Not the easiest thing in the world to get to grips with, thanks to the hundreds of setting for each video type, but well worth spending the time to learn. Very quick to set up and achieve professional results. Apparently it also takes photos.. fancy that?

8.12.2014

Super low light camera and used for those low light situations.Its simply amazing for shooting up to very high ISO's without noise.Using it alongside a Pansonic GH4 shooting 4k and aim to use the Sony with the Samurai to record 10 bit 4k and the Samurai with the Sony likewise.

2.3.2015

Offcause a fantastic camera.. My biggest consern is the back screen, there is no protection of the backscreen. On canon cameras you can flip it around, to protect the backscreen when your transporting the camera.

7.4.2015

amazin photos!!

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