logo

Info

Reviewbucket.co.uk scanned the internet for Behringer MA 400 reviews.
You can find all Behringer MA 400 reviews and ratings on this page.

Read the reviews.

Analysis

For Behringer MA 400, 33 customer reviews collected from 2 e-commerce sites, and the average score is 4.4.

Detailed seller stats;
Amazon has 30 customer reviews and the average score is 4.4. Go to this seller.
Ebay has 3 customer reviews and the average score is 4.3. Go to this seller.

Detail

Click to list all products in this category.

Similar Items

11.3.2014

This unit allows you to pass through a microphone XLR connection (on its way to an amp or mixing desk) and mix this with a monitor feed from the desk (via a quarter inch jack socket). The mixed signal is passed to the headphone output so that the user can select their personal mix in order to monitor the things that matter to them - or just get more of themselves in their headphone mix. You don't need to explain to a musician or singer all the possible uses that this has. Potentially it's a really useful device.It has some really nice features for which the designers should get some credit:- it has both sizes of headphone socket - though you can only use one at a time (according to theinstructions - I've only used one)- it has a mono/stereo switch - so you should hear things in both ears regardless of your setup.- it has a ground lift in case you need to cure a ground problem.- it allows you to adjust the mix input and mic level independently - these only affect the level that goes in to your headphones.All in all a well thought-out and useful device at a very good price. What's not to like?Well, there is/was an issue with phantom power. First, some people seem confused about this. Behringer never claimed that this unit could be powered by phantom power - the unit comes with a 12v mains adapter to serve its own power needs. The Behringer website claimed that the mic output [to the mixer or mic preamp] would pass phantom power through the device to the mic, provided the unit was plugged in to a mixer that provides phantom power. The problem, according to other reviews, is that it doesn't pass through the phantom power.I did a lot of research on this problem and the truth seems to be that the earlier versions of this device were either wrongly designed or used the wrong components during manufacture. This gets a bit technical so bear with me. The problem is that two of the internal capacitors should have been 'non-polar' types (sometimes called bi-polar) rather than regular polarised capacitors. If you replace the relevant capacitors with the correct type then the unit will pass through phantom power properly. If you have a unit that doesn't properly pass phantom power, and you're confident of your soldering skills, then you can replace the capacitors marked C5 & C6 with equivalent non-polar types - they're 10uF 50v jobs. You obviously do this entirely at your own risk.Having said all that...I've just bought one of these and it has the correct capacitors already installed! So, if you have a recent version of this unit then it should pass through phantom power correctly - mine does. Mine has a date code of 1311 on the back [possibly meaning 11th week of 2013?]. So it looks like Behringer has sorted out the problem with phantom power.I'm very happy with the unit. I actually use it for a headphone feed in a vocal booth and it does the job well. Hopefully this clarifies the phantom power issue for everyone.Bottom line is: earlier units didn't properly pass phantom power, but current units seem to be OK.Edit: Just a comment to address some other reviewers who state that this isn't an amplifier. It most definitely IS an amplifier, it's not simply a passive device. If you take it apart (which I don't recommend) then you'll see that the 12v power input actually feeds two dual op-amp ICs on the main circuit board - that's an amplifier! However, the level of amplification is good but not huge. If you're in a studio, or you want a bit of extra juice from your laptop output then this is probably going to be OK. If you're a DJ in a very loud club, it may not be sufficient - in which case you may also need to look at getting better hearing protection...Edit 2: Another review elsewhere on web suggests that there's a slight drop in phantom power as it passes through. I've just measured the phantom power on mine and it gets passed through with no drop at all (measured to the nearest 0.1v). Looking at the circuit, there's no reason for any phantom power to be consumed by it.Edit 3: In a recording setup you may be worried about passing a signal from a really good mic through such a cheap piece of kit. I know I was. I've now done a careful noise and signal comparison - it doesn't seem to affect the mic signal to any measurable extent. Looking at the circuit, there's no reason why it should, but it's nice to know.
Read more..

14.5.2014

I sing in a covers rock/pop band as well as sing jazz, swing and show tunes as a soloist event singer, using pro backing tracks.The problem I was experiencing was that in the band, the drummer was so loud, I couldn't hear myself even with a 300watt wedge monitor under my nose, and with the solo stuff, I need to sing as background and couldn't always be near my PA system to hear well and the monitor was too heavy to lug around. I opted for in ear monitors, but my mixing desk has pre-amps for mic only, so my in ears needed a boost.This bit of kit is excellent, gives you complete control because of the separate volume knobs for mix and mic only, so if you want 'more me', you can have it.The only down side is that there are a lot of cables in and out, which if you are a presentation neat freak like me, can be messy and difficult to contain and hide, but the box itself is lightweight, small and compact.I would recommend this product if you are looking for a little more control and flexibility over your personal reception of sound, especially if this settles your confidence when performing.The item arrived promptly, was well packaged and the manual is easy peasey to understand (I'm a non technical girlie - even I coped !)
Read more..

6.3.2017

Well built, sturdy unit from Behringer which works exactly as described EXCEPT the mike gain is woefully low - just usable with a condenser mike but inadequate with a typical dynamic. Examination of the circuit components surrounding the mike op amp calls into question the claimed 40db mike gainFortunately ,there is a fix for those who are technically inclined.The device uses 2 x 4580 dual op amps; one for the mike and one for the monitor. The first op amp of the mike 4580 deals with the actual mike gain, so best not to mess with this as I'd like to think Behringer have used well matched components to ensure the balance of the mike circuitry, essential if the mike is being used to make high quality recordings.However,the second op amp is merely used as a unity gain buffer, so tweaking this will have no effect on the mike pass through integrity. It involves only two resistors, a soldering iron and a steady hand. Replacing the strap feeding the output back to the negative input of this op amp with a 4k7 resistor and a 1k resistor from the negative input to ground will give about 13dbs extra gain.This has transformed the unit so the mike volume need not be flat out to get a decent headphone level
Read more..

4.5.2014

I use a TC-Helicon vocal effect processor when singing with my band, and I wanted a way to take a headphone feed from this and combine it with an XLR monitor feed from our mixing desk.I use a -20dB attenuator to drop the monitor feed from line level to something a little closer to mic level, send this to the "Mic Input" on the MA400 and send the "Mic Output" to the other singer for their monitor feed. I then connect the TC-Helicon stereo headphone output to the "Monitor Input" on the MA400. This allows me to control "more me" in my earphones, over and above the standard monitor mix.I opened up the MA400 and the build quality inspires confidence that this unit will last, but even if it does fail,the price (£18.99) means that I can put it in the same category as my gig consumables (batteries, gaffa tape etc.).
Read more..

23.9.2014

Just sick of sound engineers that think my wireless in-ears are gonna be a radio mike, then they mess me level up, or the mix up, so I end up with nothing but guitar.Using it in line - with no monitor in, it gives a 40db amplification, this is more than enough to split the 1/4 stereo out jack between 2 mono jack inputs on my in-ears transmitter. More than enough of 'me' for a change. Have only turned up to about 6.If I get a co-operative and less flustered engineer, then I can put some monitor in too, using a f/xlr to stereo 1/4 jack adaptor.Oh - I Velcro it to the top of me in-ears, and have had no need for the 'ground' button, or interference with the transmission.

26.2.2016

The German manufacturer, Beringer have a huge range of affordable quality audio products. The MA400 is no exception, designed in Germany and manufactured in China, the pressed steel chassis and firm switches inspire a feeling of confidence in this product. I use mine on stage, taking a mono fold-back feed from the desk to hear my synth. The volume is adequate, with the volume dial set at about the halfway mark on the MA400. I would recommend pairing this with a good pair of ‘in the ear headphones’ to block out stage noise.

25.3.2014

I play guitar in church and this allows me to hear the vocals and myself clearly.The band is located off stage and the monitoring setup is poor but MA400 allows me to setup as follows:Guitar into Boss GT10. Boss GT10 output 1 to PA or mic'd amp; output 2 to ART Preamp then out from preamp to MA400.The monitor out from the PA goes into the MA400.I use Shure 215s from the MA400.Highly recommended low cost solution to replace floor wedges and is extremely portable.

6.1.2018

This is a very simple, very clever little item. Ideal for small venue PA. It allows the user to have a self controllable mix of their voice with any feed from the mixing desk (which could even be the main PA mix) direct to ear phones.It even works with condenser mics as phantom power from the desk is fed through the unit to the mic.Sometimes simple is clever!

19.10.2014

Brilliant value, I use these with IEMs and now switched off my monitor. My set up needs line out from monitor to make IEMs work properly but can't figure out why this happens. Going to get 1 for our keyboard player as massive sound bleed across stage.

18.12.2013

It's not an amplifier as such, as you plug in ear-phones. It's simple to set up and use. The only addition I would make is to supply a couple of strips of Velcro so you can fix it in position. A good buy!

2.7.2019

Small, simple unit. Sound clarity faultless (although this will depend on what ear buds you use). Output by stereo jack (TRS) and stereo mini jack. In constant use as part of my gigging rig.

21.3.2019

Despite reading that this product wasn’t loud enough for live band situations I found it had plenty of punch and the sound was crisp and clear. Great value for money iem solution.

19.10.2013

As a drummer who uses IEM's for live performance, it greatly assists me in managing my own volume levels. Study little piece of kit which certainly could take a knock or two.

30.9.2017

Use this to monitor my keyboards , replacing my 8 inch monitor.Brilliant. Does the job very well. PLenty of power , as long you take the output from your DI box.

21.7.2018

I use it to hear my own voice when I play games on my PC. It's a pretty good headphone amplifier too. I don't get any static or delay from either channel

List All Products

Terms and ConditionsPrivacy Policy